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There are basic Pro Tools key shortcuts focused mostly on so called in Pro Tools 'Commands Keyboard Focus Mode' one-key stroke commands. As a Pro Tools user, I just wanted to transfer the key map that I used the most. It is a good start point for a transition from PT or for an easier use of both DAWs. The PDF file with the key map is to be. Learn the ins and outs of using Reaper to supplement your Pro Tools workflow – from a Pro Tools user perspective. Though Pro Tools remains the industry standard DAW in the world of audio post production for sound editing and mixing, many sound artists have taken an interest in Reaper as a sort of “sound design sandbox” due to its powerful and flexible features. 156 time-saving Hotkeys for Pro Tools. Extensive, exportable, wiki-style reference lists for Keyboard Shortcuts/Hotkeys.
Pro Tools documentation uses the following conventions to indicate menu choices and key commands: Menu commands that have a keyboard shortcut display their keyboard shortcut on-screen, to the right of the menu command. File > Save Session. Choose Save Session from the File menu.
Quickly find and visualize default keyboard shortcuts for Avid Pro Tools 9, 10, 11, 12, 2018 and First. For Generic PC keyboards, and for English, UK English and International English Mac keyboards with or without a numeric keypad. How to use:. Click on a shortcut category on the left, then hover over a function on the right. Alternatively, enter a keyword into the search input field, and hover over the search results. You can close the search result window with the escape key or by clicking outside its boundaries. The appropriate keyboard shortcut will light up.
Commit to memory!Tooltips.
By Mike ThorntonClicking on a plug-in parameter with the Ctrl Command keys held enables automation for that parameter.You'd be surprised at the things you can do without opening a menu in Pro Tools. And if there's no shortcut for the command you need, why not create your own?It's another keyboard shortcut-fest this month in our regular guide to getting more from Pro Tools. Following our look at the Keyboard Focus, I think it's time to introduce some of the more obscure shortcuts. Most of these are available on both Mac and Windows versions of Pro Tools, but some aren't documented at all, so they might be new to many readers.I am sure many of us automate plug-in settings by clicking on the Auto button in the plug-in window, selecting the parameter, adding it to the list and clicking OK, then selecting the correct parameter on the audio track, missing it in the list by mistake and having to try again! For us, there is a really useful shortcut. It turns automation on for your chosen plug-in parameter and switches to the automation data display on the track in two very quick and easy steps. To turn automation on, Ctrl+Option+Command-click (PC: Ctrl+Start+Alt-click) on the plug-in parameter. Rise of flight crack rar files.
To switch that track to display automation data for a given parameter, Ctrl+Command-click ( Ctrl+Start-click) on the plug-in parameter.That's it! Now you are ready to edit the automation graphically.
Have you ever wanted to trim out a region precisely to a preceding one? Well you can: by holding down the Ctrl (PC: Start) key whilst trimming, Pro Tools will stop at the preceding region's edge.
This works with the Trim tool in TC/E mode, too, thus enabling you to precisely fill or stretch to fit a gap. Neat!To add breakpoints (or anchors) in any graphical automation you can click with with the Grabber tool, but there are alternatives. On the Mac, you can use Option+'/', which is really nice, as there is a '/' key above the right-hand Option key on most keyboards. On the PC, you simply right-click.To access graphical automation data more easily, you can use Ctrl+Command-click (PC: Ctrl+Start-click) in the Edit or Mix window to change the display as follows:.
Ctrl+Command-click on the track name changes display to waveform. Ctrl+Command-click on the text 'vol' in the I/O view changes display to volume automation.
Ctrl+Command-click on the text 'pan' changes display to pan automation. Ctrl+Command-click on the mute button changes display to mute automation.On the Mac, adding the Option key to any of the above will make the change to all tracks. These shortcuts work on both the Mix Window and the I/O section of the Edit window. Clicking on the meters with all three modifiers held switches them to 'fat' mode.Here's a handy shortcut which allows you to navigate quickly without having to dive down to the bottom of the Edit window to click on the scroll bars. Using Option+Page Down (PC: Alt+Page Down) will scroll the Edit or Mix window one 'screen' to the right, while Option+Page Up will scroll the Edit or Mix window one 'screen' to the left.To make the selected track larger or smaller you can use Ctrl plus the up or down arrow keys (this seems to be a Mac-only shortcut). Adding the Option key into this shortcut does it to all tracks — on the PC, you can use Start+Alt plus the up or down arrow keys.You can also adjust the nudge and grid values from the keyboard.
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To adjust the nudge size, hold down Command+Option (PC: Ctrl+Alt) and use the '+' or '' keys on the numeric keypad to adjust the nudge size up or down. Similarly, holding down Ctrl+Alt (PC: Start+Alt) and using the '+' or '' keys will adjust the grid size up or down.Another handy navigation shortcut is to Ctrl-click (PC: Start-click) on any track in the Edit window, which will force the Mix window to scroll along so that that track appears as first visible track on the far left of the Mix window (or as far left as possible). This also works the other way, so Ctrl-clicking on a track name in the Mix window will put the selected track at the top of the Edit window (or as high as possible). This is great for large sessions on two-screen systems where you have the Edit window on one screen and the Mix window on the other. Command+Alt+Ctrl-click (PC: Ctrl+Start+Alt-click) on a meter in the Edit or Mix window to toggle between 'fat' and normal meters on all tracks.
Regions can be duplicated ahead of, as well as behind, the source region. We all know how to duplicate a region so it repeats after itself, but here is a way of getting it to repeat a region before itself. To copy backwards, Ctrl+Alt+Command-click (PC: Ctrl+Start+Alt-click) the region: hey presto, a duplicate will appear butted up before the original. When you're in the Name Tracks dialogue, you can use Command+right arrow ( Ctrl+right arrow) to select additional tracks to be named without leaving the window. Alternatively, having named the first track, instead of hitting the Enter key, which is the natural thing to do, use Command+Enter ( Ctrl+Enter) and you get the next track ready to rename. This one falls very nicely under the fingers.
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When you create a new track using Shift+Command+N (PC: Shift+Ctrl+N), the New Track window will open. In that window, you can use Command (PC: Ctrl) plus left or right arrow to choose Stereo or Mono, and Command+up or down arrow to select from Audio, Aux, Master or MIDI tracks. Finally use Command+Option (PC: Ctrl+Alt) plus up or down arrow keys to select Samples or Ticks. Have you ever wanted add or remove a track from a group, and ended up creating a new group and then deleting the old one in order to do so? Well, it is possible to edit a group. To do this, select all the tracks you now want to be in that group in the normal way (which is so much easier with the new multiple selection options in Pro Tools 6.9!) and use Command+G (PC: Ctrl+G) as if to create a new group. Now change the group ID to match the group you want to edit.
Finally, click OK and that group will contain the new selection of tracks. TDM users now have a separate Input Monitor button on each track, but Pro Tools LE now incorporates the Alt+K (PC: Ctrl+K) shortcut, which will toggle between Input Only and Auto Input modes.
You can replace an existing group by setting a new group to have the same ID letter.For Mac OS 9 Pro Tools users, it was possible to add shortcuts to commands that didn't have one by default using a third-party application like Quick Keys. Now, however, you don't have to, because there is a feature in the Mac OS X preferences that enables you to create some of them there. Here's how to do it.First, quit Pro Tools if it's running.
Now open the System Preferences window and then launch the Keyboard & Mouse preference pane. Select Keyboard Shortcuts and click the little '+' sign in the bottom left corner of the window. From the pull-down menu, choose Pro Tools from the 'other' item. (It won't come up in the main list, so you will need to navigate to the Pro Tools application in your Digidesign folder, which should be in the Applications folder on your hard drive.)Now type in the exact menu option that you want to add a shortcut for.
In this example, I wanted to have a shortcut for the Bounce to Disk command. I found it helpful to make a screenshot of the menu so I got the exact spelling and punctuation correct, as you must type it exactly how it appears in the drop-down menu. Make sure your upper and lower-case characters are right as well as any full stops. Now press the key combination you want to use (in this caseAlt+Command+B) and you will see it appear in the field. You should make sure that you are not using a shortcut already assigned from the standard menus, remembering the not-so-obvious ones too.
You can set up your own keyboard shortcuts for any non-Classic Mac OS X application in System Preferences.Quit System Preferences and launch Pro Tools again, and all being well, you should see your newly added shortcut in the menu. If a particular shortcut has already been allocated for that particular application, your new one won't 'take', and you won't see it appear in the menu against the appropriate item.As you will see from the screenshots, I have already set up the following.
Bounce To Disk: Alt+Command+B. In my opinion it's easier than the Ctrl+Option+Command+B shortcut that some folk use. Holding down three operator keys and then adding another one is so difficult that it defeats the object of having a shortcut!. Save Session As.
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Alt+Command+S. Save Session Copy In. Ctrl+Command+S.
Delete Selected Tracks. Ctrl+Command+D. Import Session Data. Alt+Command+I.If you are thinking of trying this feature out, here are a few words of warning!
If your chosen menu item has three full stops at the end, as is the case with 'Delete Selected Tracks.' , then including the Alt key in the shortcut will bypass any warning message that comes up — in this case, for instance, where there are regions on the track you are trying to delete.
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This is a Mac OS X convention — for example, Alt+Empty Trash will empty the bin without asking if you are sure. This is why my Delete Tracks shortcut doesn't have Alt in it.Some shortcuts also do other things. For example, my Delete Selected Tracks. Shortcut will do a Region Duplicate if there is a region or regions highlighted — in this case, the system seems to ignore the Ctrl key and responds to Command+D! All contents copyright © SOS Publications Group and/or its licensors, 1985-2019. All rights reserved.The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers.
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Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. Free download game praetorians full version. The views expressed are those of the contributors and not necessarily those of the publishers.Web site designed & maintained by PB Associates & SOS.
Learn the ins and outs of using Reaper to supplement your Pro Tools workflow – from a Pro Tools user perspective.
Though Pro Tools remains the industry standard DAW in the world of audio post production for sound editing and mixing, many sound artists have taken an interest in Reaper as a sort of “sound design sandbox” due to its powerful and flexible features.
One such sound artist is Bob Kellough(Spider-Man: Homecoming, Justice League). We asked Bob to share some tips and tricks for making sense of Reaper coming a Pro Tools background.
I’ve been using Reaper as a sound design DAW for the past few years and have found the transition from Pro Tools to be initially challenging but extremely rewarding.
Windows fax and scan not detecting scanner. The challenge was not due to inadequacies in Reaper (it is an extremely robust DAW) but more so in its GUI after years of working in Pro Tools.
So while this is by no means an exhaustive list of features, here a few things Pro Tools user may find useful in Reaper (and where they are located).
Let’s start with a seemingly simple menu with a few powerful sets of features:
1. Media Item Properties
The ‘Media Item Properties’ window in reaper allows you to edit the clip name, Fade in, fade out, cross fade, Pitch, length change, non destructive reverse, volume and clip effects. All nondestructively. To call up this window simply double click on the item. Voila! Nondestructive clip manipulation is now at your fingertips.
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2. Pitching and Playback Rate.
Micrografx windows draw 64 bit download. Again, these tools are within the Media Item Properties window.
Playback rate is just that, faster or slower. If you adjust the rate it will speed up or slow down the media once you update the window by clicking ‘apply’. By default the ‘preserve pitch when changing rate’ is checked. This will change the playback rate without changing the pitch. If this unchecked the pitch will raise or lower according to playback speed.
Playback rate is just that, faster or slower. If you adjust the rate it will speed up or slow down the media once you update the window by clicking ‘apply’. By default the ‘preserve pitch when changing rate’ is checked. This will change the playback rate without changing the pitch. If this unchecked the pitch will raise or lower according to playback speed.
Pitch will adjust the pitch of the media while not adjusting the playback rate. Again, both of these commands are non-destructive and can be performed in real-time.
Note: Another little gem about Reaper is it comes bundled with its own plug-ins one of which is a powerful pitching tool called “ReaPitch”. It is listed in the fx listing and not only adjusts semitones and cents but also formants. This can be applied as a clip effect or on a track.
3. Nondestructive Reverse
This is also located in the Media Item Properties display. Simply select a piece of media, pull up Media Item Properties and reverse. If you select the ‘section’ it will reverse only section edited in the timeline. If ‘section’ is not selected the entire media item will reverse. For example, if there is a 1 minute clip and 10 seconds of that clip is in the edit, reversing that section with ‘selection’ ticked will only reverse the 10 seconds while unticked will reverse the entire piece of media.
4. Take FX
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Clips based effects in Reaper are effects that can be added to a clip of media in real time, no rendering. Effects can be layered and manipulated while Reaper is in playback. An effect is selected from your VST and AU plugins, including plug ins that come bundled with Reaper. To find this locate take effects on the lower left of your Media Item Properties menu. Click on this and a list will be present with loaded VST and AU fx. You can scroll down the list, or type and search for plugin.
5. Instantly Convert Any Track to an Aux
Ok, getting away from the Media Item Properties for a minute let’s talk bussing. Within the edit menu is a powerful small folder icon. Selecting this will turn any track into an aux being fed by tracks below it instantly. No need to create a bus on the IO page, click this and you’re done. I find this very useful for creating quick groups that will be bundled together for compression, eq, verb, etc. The tracks are just as easily split apart by deselecting the folder icon or clicking and dragging a track out of the newly created group. There is a more sophisticated routing systems also built into Reaper where tracks can be re-assigned outputs on the fly. Beyond the scope of this quick overview but worth looking into within the Reaper manual.
6. Multiple Project Windows
Multiple project tabs with no track count limitation. One project for one idea, another for a second idea, perhaps a third for midi instruments. However you want to break it up, Reaper is very flexible with this. This command is located under the file menu – new project tab.
7. Media Explorer
Reaper uses this window similar to pro tools workspace. As a user the interface is simple to use and intuitive. Locate your drives / partitions and type in what you are looking for. Reaper will begin the search while you are typing and it is FAST. Not only can you audition clips in this window but also can have monitor fx enabled (top right) adjust play back speed, highlight and inserts clips directly to your Reaper timeline AND drag clips into your Pro Tools timeline. You heard right. Not only that but drag to your desktop. It’s pretty slick for those FX you know exist in a session from last year but is still labeled “Audio 3_rev”. Reaper can help you find it quickly. To pull up this window you can select it under “View”.
8. Price (AKA Brass Tacks)
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Reaper is offered at two price points: $60 and $225 – the first for personal use, and the second for professional. Please refer to the Reaper website for specifics and end user agreement. For the price I find Reaper – a fully functioning DAW with powerful editing capabilities, flexibility and midi interactivity (future article) … not to mention Ambisonics capabilities – to be nothing short of excellent.
Oh – did you I mention you can assign your own key commands to any function? Or choose your own theme? Or the program is small enough to fit on a thumb drive?
I would also like to mention that Dave Farmer has manyIntroduction to Reaper YouTube videosthat are extremely useful. And theReaper manualis helpful and straightforward.
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I hope you found these few initial pointers useful. And have fun exploring Reaper!
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Bob Kellough is a supervising sound editor/re-recording mixer working on some of the most popular films and TV shows, including Justice League, Loving, and Spiderman: Homecoming.
Follow Bob Kellough: IMDb | Twitter